"Shadows of Kindred Spirits: Robert Smithson and Science Fiction," in Rick McGrath, Ed, Deep Ends: A Ballardian Anthology 2021, Terminal Press, Powell River, British Columbia, 2021, 169-175.

“Ways of Saying: Rhetorical Strategies of Environmentalist Imaging,” T.J. Demos, Emily Eliza Scott, and Subhankar Banerjee, Eds, Routledge Companion to Contemporary Art, Visual Culture, and Climate Change, 2021, 252-262

“The Mirror of our Nature: Edward Burtynsky's Images of the Anthropocene,” Edward Burtynsky, Anthropocene, Germany: Steidl Verlag, 2018, 9-16

“Seizing Vitality,” Carmela Kolman 1982-2016, New York: John Rizzo, 2018

“Brandon Ballengée: Amphibious,” University of Wyoming Art Museum, WASTE LAND: A Survey of Works by Brandon Ballengée, 1996 – 2016, Laramie: University of Wyoming Press, 2017, 11-17

“Within and Beyond the Art World: Environmentalist Criticism of Visual Art,” Hubert Zapf, Ed., Handbook of Ecocriticism and Cultural Ecology. Germany, De Gruyter, 2016, 664-681. Translated by Zhao Qing and published in The Journal of Studies in Literary Theory and Aesthetics, hosted by Shandong University Research Center for Literary Theory and Aesthetics, Shandong, China, 2017.

“Good Works: The Impetus of Ethics,” in Glenn Harper and Twylene Moyer, Eds, Artists Reclaim the Commons: New Works, New Territories, New Publics, New Jersey: International Sculpture Center, 2013, 35-41

“Looking At, and Overlooking, Women Working in Land Art in the 1970s,” Jeffrey Kastner, Ed, Nature, London: Whitechapel Gallery and Cambridge: The MIT Press, 2012, 31-34

“Earthworks” and “Robert Smithson,” in Joan Marter, Ed, Grove Encyclopedia of American Art, NewYork: Oxford University Press, 2011, 126-128, 503-504

“Postcards From the Edge,” Remediate/Re-vision: Public Artists Engaging the Environment, The Bronx: Wave Hill and Cambridge [MA]: Cambridge Arts Council, 2010, 3-5

“Roy Stab: For Being and Nonbeing,” Roy Staab: Four Seasons/Four Corners, Institute of Visual Arts, University of Wisconsin-Milwaukee, 2009, 14-19

“That Swing,” forward to Chris Stevens, Brian Wall, London and New York: Momenta, 2006, 7-11

“Earthworks’ Contingencies,” Ethics and the Visual Arts, Elaine A. King and Gail Levin, Eds., New York: Allworth Press, October 2006, 217-234

“In the Yucatan: Mirroring Presence and Absence,” Eugenie Tsai, Ed, Robert Smithson, Los Angeles: Museum of Contemporary Art and Berkeley and Los Angeles: University of California Press, 2004 201-205

“Art: Expanding Conceptions, Sites and Audiences,” David Farber and Beth Bailey, Eds, Columbia Guide to America in the Sixties, New York: Columbia University Press, 2001, 321-326

"In the Missionary Position: Recent Feminist Ecological Art," Joanna Frueh, Cassandra Langer, and Arlene Raven, Eds, Feminist Criticism in Action. New York: HarperCollins, 1994, 248-263

"Portraits," DOC-U-MEN-TIA, Photographs by f.Stop Fitzgerald. Los Angeles: Astro Artz, 1987, n.p.

"Addressing the Injury," Poetic Injury: The Surrealist Legacy in Postmodern Photography. New York: Alternative Museum, 1987

“Of Our Time,” Steven Siegel, Marlborough Gallery, Chelsea, NYC, January 2011

“Embedded,” Stephanie Weber, San Francisco: Toomey Fourell, 2004

Ann Weiner, St. Leo, Florida: Katherine T. Carter and Associates, 2004

“The Kindness of Strangers,” Deborah Brown: Pound Portraits, New York: Cheryl Pelavin Gallery, 2003

“Face to Face,” Susan Hauptman, Drawn from the Heart, New York: Forum Gallery, 2002

Ichor in m Viens, Ambrosia on my Lips: Paintings, Drawing, and an installation by M. Louise Stanley, Santa Barbara Contemporary Arts Forum, 1987

New Painterly Figuration in the Bay Area, Humboldt State University, Arcata, CA, and San Francisco Art Institute, 1986 (exhibition I curated)

Jan Wurm, Whipple Cultural Center, Las Vegas, Nevada, 1985

Milton Komisar, Scrambling Space, San Jose Museum of Art, 1983

Computer Creations, Transamerica Pyramid, San Francisco, 1983

George Neubert, Santa Barbara Junior College, CA, 1982

Betty Kano/Jerry Concha, Transamerica Pyramid, San Francisco, 1982

Robot Realities, Transamerica Center, Los Angeles, 1982

Stephanie Weber, The Oakland Museum, Oakland, CA, 1981

“Mildred Howard,” in Jan Rindfleisch, Ed., Staying Visible: The Importance of Archives, De Anza College, Cupertino, CA, 1981

Glenn Jampol, Transamcerica Pyramid, 1981

Andre, Buren, Irwin, Nordman: Space as Support, Berkeley: University Art Museum, January 1979